Faith in Craftsmanship

Craftsmanship and the Quest for Beauty

Outline of the iBacc Craftsmanship Programme

Holistic Values

Cultural Development as the Quest for Beauty

Distinctive Ethics

Cultivating an Ethic of Excellence

Personal Imperative

Create Beautifully

Deep Culture

Access to the Artistic Culture of the West and the Islamic world

Enhanced British Values

Valuing Creativity & Enterprise

Pedagogy

Integrative craftsmanship Learning habits applied to every subject 

Recreational

the creative aspects of learning

Inspiring; Leisure; Creating; Presenting

Inspiring: you are inspired by beauty & inspire others to make beautiful things & places

Leisure: you explore the world through play, enjoying leisurely pursuits, & learn traditional arts for pleasure

Creating: you produce many ideas fluently, find a variety of solutions flexibly, come up with original thoughts, and elaborate by building on existing ideas

Presenting: you take pride in the quality of finished work; make things that are useful and beautiful, and you seek to perform with excellence.

Resilient

the emotional aspects of learning

Absorption; Managing Distractions; Noticing; Perseverance

Absorption: you become engrossed in what you are doing; you are unaware of time passing because you are so interested

Managing Distraction: you know what distracts you, you try to minimise distractions, you settle back quickly after an interruption.

Noticing: you notice how things look, what they are made of, or how they behave, you can identify significant detail.

Perseverance: you are not put off by being stuck, you keep on going despite difficulties and find ways to overcome them, you recognise that learning can be a struggle.

Curriculum

A curriculum in traditional Islamic arts and crafts inspired by The King’s Foundation School of Traditional Arts (SOTA) or other local centres of craftsmanship, with Music and Art & Design offered as complementary or alternative creative arts of equal standing

The School of Traditional Arts exists to ensure that traditional arts and skills enrich our changing world. It offers courses suitable for anyone interested in traditional arts. Its pioneering postgraduate programmes (MA, MPhil and PhD) are based in the creative artistic practice of the traditional arts. Its short courses, taster sessions and lectures are open to all. The School has outreach projects in more than twenty countries. Its Harmony programme, designed for primary schools, gives young people a more holistic view of the world.

Learner Outcomes

Age 7 Years

Introduction to 3 traditional Islamic Arts and crafts, plus Music

Age 11 Years

Deepening 2 Traditional Islamic Arts & Crafts, plus Music

Age 16 Years

Specialising in 1 traditional Islamic Art with portfolio, and optionally Musical instruments Grades 1–8, any recognised board, and optionally Art & Design GCSE

Age 18 Years

Mastery of at least 1 traditional Islamic Art with externally assessed portfolio, and optionally Music Grades 6–8 (any recognised board), and optionally an Art & Design qualification at advanced level

The School of Traditional Arts

Harmony Schools

The Reed Pen and Islamic Calligraphy

King's Foundation : School of Traditional Arts : Centres in the Muslim World

© 2026 Dr Tim Saunders Ltd

Former Research Fellow @ Cambridge Muslim College

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